An interesting addition in the same space is that of a collection of severed heads. It is not clear if the same perpetrator was responsible for the removal of the official art, and the installing of the unofficial, but it's certainly a triumph of romantic independence over patronage. Another interesting comparison between the two is that where the threat of the dogs was overt and menacing, the malignancy of the new installation is rather more oblique. A stencilled message simply reads: 'It's lucky for the world I'm willing to stop at one murder. Together we could rape the universe'
It is the second part of the statement that contains the threat. I assume that it's an eco-anarchistic "political" statement, but there's always the vague possibility that it's an invitation...

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